The Best Audition Songs for Urinetown (By Character)

Choosing the perfect audition song can be a daunting task, especially when it comes to capturing the unique blend of satire, humor, and heartfelt moments found in musicals like Urinetown. This Tony Award-winning show, with its over-the-top characters and darkly comedic style, requires audition songs that align with each role’s distinct personality and energy. Whether you’re trying to embody the authoritarian charm of Officer Lockstock, the innocent optimism of Hope Cladwell, or the rebellious spirit of Bobby Strong, finding a song that reflects the character’s humor, style, and tone is key to standing out at auditions. In this post, we provide tailored audition song suggestions for each character in Urinetown, ensuring you bring the right vibe to the casting room.

1. Officer Lockstock (Baritone/Tenor)

“You’ll Be Back” – Hamilton (wry humor, authority figure)
“Right Hand Man” – Something Rotten! (commanding with humor)
“The Book of Mormon” – The Book of Mormon (satirical humor, authority)
“Everybody Say Yeah” – Kinky Boots (strong leader, rallying people)
“The Song That Goes Like This” – Spamalot (parody and humor)
“Model Behavior” – Women on the Verge of a Nervous Breakdown (comic rant)
“You Won’t Succeed on Broadway” – Spamalot (clever humor, character-driven)

2. Penelope Pennywise (Mezzo-Soprano/Belter)

“Don’t Forget Me” – Smash (powerful, demanding presence)
“Here I Am” – Dirty Rotten Scoundrels (assertive, comedic personality)
“Not for the Life of Me” – Thoroughly Modern Millie (determined, spunky attitude)
“When You’re Good to Mama” – Chicago (commanding, with a humorous edge)
“My New Philosophy” – You’re a Good Man, Charlie Brown (bold, over-the-top)
“One Hundred Easy Ways” – Wonderful Town (self-assured, dark humor)
“What Did I Ever See in Him?” – Bye Bye Birdie (critical, comically fed-up)

3. Bobby Strong (Tenor)

“Streets of Dublin” – A Man of No Importance (passionate, hopeful, leading the underdogs)
“Waving Through a Window” – Dear Evan Hansen (earnest and emotional)
“I’m Alive” – Next to Normal (youthful energy and drive)
“Role of a Lifetime” – Bare: A Pop Opera (idealistic, sense of justice)
“Moving Too Fast” – The Last Five Years (upbeat, impulsive, determined)
“Goodbye” – Catch Me If You Can (defiant, upbeat)
“Fight the Dragons” – Big Fish (fantastical, determined)

4. Hope Cladwell (Soprano)

“Watch What Happens” – Newsies (idealistic, eager, naïve but driven)
“Somewhere That’s Green” – Little Shop of Horrors (innocent longing)
“Journey to the Past” – Anastasia (hopeful and inspiring)
“Good Girl Winnie Foster” – Tuck Everlasting (optimistic, gentle)
“Pulled” – The Addams Family (energetic, comedic with a twist)
“Times Are Hard for Dreamers” – Amélie (wide-eyed optimism)
“I Love Play Rehearsal” – Be More Chill (quirky, enthusiastic)

5. Caldwell B. Cladwell (Baritone)

“The Room Where It Happens” – Hamilton (power-hungry, ambitious)
“All the Wasted Time” – Parade (emotional, powerful, complex)
“Don’t Be the Bunny” – Urinetown (using humor to drive a serious point)
“Big Ass Rock” – The Full Monty (dark humor, command)
“How I Saved Roosevelt” – Assassins (strong presence, comedic energy)
“Master of the House” – Les Misérables (manipulative, self-serving)
“Prologue: Tower of Babel” – Godspell (authority figure rallying a crowd)

6. Little Sally (Mezzo-Soprano)

“Good Morning, Baltimore” – Hairspray (young, hopeful, quirky)
“Journey to the Past” – Anastasia (optimism and hope)
“Times Are Hard for Dreamers” – Amélie (idealistic, earnest)
“My Party Dress” – Henry and Mudge (youthful, humorous energy)
“Waiting for Life” – Once on This Island (determined, hopeful)
“Notice Me, Horton” – Seussical (charming, longing, innocent)
“The Girl I Mean to Be” – The Secret Garden (innocence and sincerity)

7. Officer Barrel (Tenor/Baritone)

“The Brain” – Young Frankenstein (humorous, sidekick energy)
“Gaston” (LeFou’s part) – Beauty and the Beast (loyalty, comedy)
“Dentist!” – Little Shop of Horrors (dark humor, villainous charm)
“A Guy That I’d Kinda Be Into” – Be More Chill (awkward humor)
“Silly to Think” – Waitress (comic frustration)
“Petrified” – Taboo (confused, comedic)
“The Whole “Being Dead” Thing” – Beetlejuice (darkly humorous, over-the-top)

8. Senator Fipp (Baritone)

“The Money Song” – Avenue Q (humor centered around money, similar greed)
“Creep” – Radiohead (an ironic interpretation, fits his shady demeanor)
“Model Citizen” – The Toxic Avenger (satirical and money-driven)
“Master of the House” – Les Misérables (cunning, selfish humor)
“The Morning Report” – The Lion King (fast-paced, oblivious authority figure)
“In Short” – Edges (sarcastic, humorous take on desires)
“They’re Gonna Love It” – Dirty Rotten Scoundrels (scheming, self-serving)

9. Mr. McQueen (Baritone/Tenor)

“On the Right Track” – Pippin (playful and manipulative, scheming tone)
“All for the Best” – Godspell (fast-paced, sarcastic)
“Be Prepared” – The Lion King (scheming and slightly menacing)
“Stepsisters’ Lament” – Cinderella (humorous, competitive attitude)
“You and Me (But Mostly Me)” – The Book of Mormon (ego-driven, power hungry)
“Friend Like Me” – Aladdin (showy and opportunistic)
“One Step Closer” – The Little Mermaid (playful but driven)

10. Hot Blades Harry (Baritone/Tenor)

“Betrayed” – The Producers (manic, desperate humor)
“The Ballad of Farquaad” – Shrek the Musical (darkly humorous, self-obsessed)
“Epiphany” – Sweeney Todd (intense, passionate, slightly unhinged)
“The Smell of Rebellion” – Matilda (twisted humor and rebellious nature)
“Hell to Your Doorstep” – The Scarlet Pimpernel (angry and intense)
“Revolting Children” – Matilda (rebellion, fun, energetic)
“Raise a Little Hell” – Bonnie & Clyde (chaotic, rebellious energy)

11. Little Becky Two-Shoes (Mezzo-Soprano)

“Dead Girl Walking” – Heathers (rebellious, bold attitude)
“My Junk” – Spring Awakening (youthful and defiant)
“Candy Store” – Heathers (edgy, sassy, powerful)
“Mama Who Bore Me (Reprise)” – Spring Awakening (angry, strong-willed)
“Tangled” – The Toxic Avenger (quirky, aggressive energy)
“The World According to Chris” – Carrie (sassy and no-nonsense)
“Out Tonight” – Rent (bold, energetic, and unrestrained)

12. Joseph “Old Man” Strong (Baritone)

“If I Were a Rich Man” – Fiddler on the Roof (wishful, dealing with hardship)
“Tradition” – Fiddler on the Roof (defiant, reflective)
“The Old Red Hills of Home” – Parade (nostalgic, powerful)
“I’ll Be Here” – Ordinary Days (emotional and introspective)
“No More” – Into the Woods (reflective, father-son dynamic)
“Fathers and Sons” – Working (emotional, generational perspective)
“Dust and Ashes” – Natasha, Pierre & The Great Comet of 1812 (desperation, defiance)

13. Josephine “Ma” Strong (Mezzo-Soprano)

“Turn Back, O Man” – Godspell (sassy, witty)
“Days and Days” – Fun Home (emotional, sincere reflection)
“What Baking Can Do” – Waitress (resilient and determined)
“Piece of My Heart” – A Night with Janis Joplin (strong-willed, emotional)
“Maybe I Like It This Way” – The Wild Party (resigned but hopeful)
“By My Side” – Godspell (warm, supportive)
“I Miss the Mountains” – Next to Normal (reflective, yearning)

14. Soupy Sue (Mezzo-Soprano)

“A Little Bit of You” – Frozen: The Broadway Musical (optimistic, hopeful tone)
“I Love Play Rehearsal” – Be More Chill (quirky, enthusiastic)
“So Much Better” – Legally Blonde (confidence-building, defiant)
“Mama Who Bore Me” – Spring Awakening (longing and determined)
“Without Love” – Hairspray (upbeat, affectionate)
“Omar Sharif” – The Band’s Visit (dreamy, reflective)
“The History of Wrong Guys” – Kinky Boots (quirky humor, slightly romantic)

15. Tiny Tom (Baritone/Tenor)

“Santa Fe (Prologue)” – Newsies (dreamy, hopeful for a better future)
“I’m Not Wearing Underwear Today” – Avenue Q (silly, comedic relief)
“Michael in the Bathroom” – Be More Chill (self-reflective, humorous)
“Gary, Indiana” – The Music Man (youthful energy, humorous)
“Dancing Through Life” – Wicked (laid-back, carefree attitude)
“If I Had My Time Again” – Groundhog Day (self-aware, ironic humor)
“You’ll Be Back” – Hamilton (tongue-in-cheek humor, self-assured)

16. Robby the Stockfish (Baritone)

“All for the Best” – Godspell (light-hearted, upbeat humor)
“In Summer” – Frozen (innocently humorous and optimistic)
“Beautiful” – Ordinary Days (sincere, hopeful)
“I Love Betsy” – Honeymoon in Vegas (upbeat, earnest energy)
“We Look to You” – The Prom (genuine hopefulness, emotional depth)
“Get Me What I Need” – 13: The Musical (youthful, assertive energy)
“It’s Hard to Speak My Heart” – Parade (reflective, earnest)

17. Billy Boy Bill (Tenor)

“Simple Sponge” – SpongeBob SquarePants: The Musical (earnest, underdog spirit)
“What Do I Need with Love?” – Thoroughly Modern Millie (upbeat, lighthearted optimism)
“I Can Do That” – A Chorus Line (youthful confidence, comedic)
“I Believe” – The Book of Mormon (determined, positive, funny)
“Freeze Your Brain” – Heathers (rebellious, independent)
“A Man Could Go Quite Mad” – The Mystery of Edwin Drood (energetic, slightly eccentric)
“I’d Rather Be Sailing” – A New Brain (sweet and sincere)

Selecting an audition song that closely mirrors the character you’re auditioning for can make all the difference in how casting directors see you. With Urinetown‘s rich mix of satire, heart, and humor, it’s essential to choose a piece that showcases your ability to navigate the show’s unique tone while highlighting your vocal strengths. We hope these song suggestions help you channel the quirky charm, dramatic flair, and dark humor that make Urinetown so memorable. Remember, auditions are as much about showing your understanding of the role as they are about your voice—so pick a song that allows you to have fun and fully embrace the character’s personality. Break a leg!